Posts

Culture Jail

            Ishmael Reed’s Mumbo Jumbo has been densely packed with satire and not-so-subtle irony thus far. All of his critiques are worth discussing, but the one which caught my attention the most was his disdain for museums. Reed mixes in a thread bashing museums seamlessly alongside many other critical statements, however this one intrigued me more because I didn’t expect it. The argument made sense, especially in the context of Reed’s other arguments, but it had not occurred to me before. I typically though of museums as places protecting and documenting things. Museums rarely occurred to me as a place where things are trapped.             The first place this idea appears is the beginning of chapter 2. Reed begins from the perspective of the Atonists, observing the jes’ grew epidemic. When the Mu’tafikah raid museums and send their contents back to their native lands, ...

The Prison Scene

            Our class discussions of Ragtime have explicated lots of Doctorow’s satire and irony. Most of the time, I’ve left with a satisfying idea of what’s going on and what the author intended. I cannot say this for the scene where the two Harrys meet. Harry Thaw’s penis-flapping was the most baffling thing I’ve ever encountered in an assigned book. I’ve spent hours wondering what it means to no avail.             The idea of “asserting dominance” has become a big joke recently, and the jokes often feature some form of exposing yourself to “assert dominance” over others. Jokes like these initially turned me away from the idea that Harry Thaw was showing his power to Houdini, but unfortunately this is the best idea I’ve heard so far. Harry Houdini was raised poor and worked hard developing his craft to attain fame and fortune. Alongside his literal escapes are his attempt...